CIRGEN welcomes researchers from any country willing to work alongside CIRGEN’s research goals and main research lines. Visiting researchers should count on own funding for both short and long-term stays with us.
So far, we are pleased to welcome:
Beatrijs Vanacker. More information: TBA soon
You can follow Beatrijs on Twitter @beavanacker
Freya Gowrley. MSCA Fellow (May 2022-April 2024)
Freya Gowrley is an art historian and a current Postdoctoral Fellow in History at the University of Derby, specialising in art and objects from the early modern period to the late nineteenth century. Previously, she was a Paul Mellon Centre for Studies in British Art Postdoctoral Fellow, a Postdoctoral Research Fellow at the University of Edinburgh’s Institute for Advanced Studies in the Humanities, and a Visiting Lecturer in the University of Edinburgh’s History of Art department, where she received her PhD in 2016.
Her research focuses on the relationship between identity and visual and material culture in eighteenth- and nineteenth-century Britain and North America, exploring this connection through work on the home, the collaged object, and the body. Her monograph, Domestic Space in Britain, 1750-1840: Materiality, Sociability and Emotion, 1750-1840, is forthcoming with Bloomsbury Academic in 2021. She has held short-term research fellowships at Yale Center for British Art, the Winterthur Museum, Garden and Library, the Huntington Library, the Harry Ransom Center, the University of St Andrews, and the Library Company of Philadelphia. You can follow Freya on Twitter @Freya_Gowrley
At Universitat de València, she will undertake work on her project “Composite Cultural Production: Transnational and Multidisciplinary Approaches to Pre-Modern Collage”. Freya’s project is funded by the Horizon 2020 Framework Programme. Call: H2020-MSCA-IF-2020. Project: 101024473 — COLLAGE.
Lieke van Deinsen. Senior Postdoctoral Fellow (tentatively spring 2022)
In her interdisciplinary research, she combines her expertise in textual and literary analysis with a specialization in material and visual cultures, while using new, digital methods. Her two monographs illustrate Lieke’s interdisciplinarity. Her dissertation on processes of historical literary canon formation, which she defended at the Radboud University Nijmegen in 2017, is published as Literaire erflaters. Canonvorming in tijden van culturele crisis (Verloren 2017). As the Rijksmuseum’s Johan Huizinga Fellow, Lieke wrote the first volume for the Rijksmuseum Studies in History series: The Panpoëticon Batavûm. The Portrait of the Author as a Celebrity (Rijksmuseum 2016). In addition, she has held postdoctoral fellowships at the Scaliger Institute (Leiden University), the Vossius Center for the History of the Humanities, and the Netherlandish Research Organisation (NWO).
You can follow Lieke van Deinsen on Twitter @Liekevdeinsen
Her current project “A Face of One’s Own. Author portraits and the Shaping of Female Intellectual Authority in the Early Modern Period (1550-1800)” explores the construction and circulation of visual and textual representations of female authorship and intellectual authority across early modern Europe. During her stay at the CIRGEN research group, she will focus on the author portraits of learned women from Southern Europe. Lieke’s project is funded by the FWO (Research Foundation – Flanders) Project: 12ZT321N.